This is one outlet's own report from Billboard — the article as it was filed. Other outlets are covering the same event; open the full story to compare every source side by side.
See the full story · 1 sourcesThis is one outlet's own report from Billboard — the article as it was filed. Other outlets are covering the same event; open the full story to compare every source side by side.
See the full story · 1 sourcesAitana notches her first Billboard No. 1 with “Superestrella,” as the song lifts 2-1 on the Hot Latin Pop Songs chart dated Aug. 8. The single, from her fourth studio album, Cuarto Azul , also helps the set reach a new peak on the Top Latin Pop Albums chart.
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“Superestrella” lands at No. 1 on Hot Latin Pop Songs after a 45% surge in U.S. audience impressions — to 12.8 million — during the July 24-30 tracking week, according to Luminate. Released May 29 as one of 19 tracks on Cuarto Azul , the song reaches the summit in its 22nd week, marking the chart’s longest trek to No. 1 since its April 2025 launch.
“Superestrella” also sets best marks across multiple charts this week: On the global front, it takes the weekly Greatest Gainer honors on the Billboard Global 200 ranking, leaping 88-53 after a 24% gain in streams, with 17.1 million clicks worldwide. It also rallies 43-24 on the Global Excl. U.S. tally with 15.7 million streams outside the U.S, up 23%. The song’s massive global streaming boost can likely be attributed to Aitana’s performance at Spain’s official 2026 World Cup celebration, held July 20 at Madrid’s historic Plaza Cibeles, where she was joined by the national team.
Elsewhere, thanks to its streaming surge, the single also flies 36-18 on the multimetric Hot Latin Songs chart.
With gains across the charts, “Superestrella” propels Cuarto Azul to new heights. After the set’s debut at No. 18 on Top Latin Pop Albums (dated Aug. 1), the set climbs to No. 12 with 2,000 equivalent album units, including 1.9 million from streaming activity.
Produced and cowritten by Nicolás Cotton, “Superestrella” also credits Aitana and Carolina Isabel Colón as cowriters.
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