RESOLVING THE LEDGER
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The 1970s saw the sudden rise of neo-noir for good reason. Filmmakers like Sydney Pollack and David Lynch brought back classic film noir tropes only to subvert them, introducing a true-to-reality grittiness that reflected the times. These stories were visually distinct with their high-contrast palettes and often featured graphic violence and psychosexual themes while focusing on a complex anti-hero. Films like Chinatown (1974), Blue Velvet (1986), and The Fourth Man (1983) began shaping the genre, marking a shift towards raw urban realism on film, along with the portrayal of tense socio-political backdrops.
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