RESOLVING THE LEDGER
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For audiences familiar with the transgressive thrill of repertory screenings , Curry was more than "just" an actor. An icon of cult cinema whose electric spirit never flickered, even when he was ailing in his final years, Curry was an undeniable force in acting whose ability to sell viewers on the seductive power of fearless spectacle is still unmatched. Whether Curry was strutting onstage live in fishnets and heels for "The Rocky Horror Show" on the West End — or purring through the musical's perfectly calibrated film adaptation in movie theaters for decades after that — the man rarely missed. Related Stories Indie Specialized Box Office: Alex Ullom's 'It Ends' Gets Solid Start via 36-Hour Marathon Screening Ridley Scott Reveals Lost 'Blade Runner' Script Idea That Proved Too Complicated, and Why Harrison Ford 'Didn't Get' the Movie
To witness even a split second of a top-tier Curry performance means to almost instantly understand that a lived-in caricature can be both technically precise and strategically unhinged for an actor. Few artists have made that duality appear as natural as Curry, in part because so few scripts have dared to make that quality of camp he could deliver essential to their stories. From "Annie" (1982) to "Clue" (1985) to "The Three Musketeers" (1993), the wild energy that Curry brought to screens big and small should be remembered as a hallmark of titles not just worth watching once but combing for details.
Born April 19, 1946, in Grappenhall, England, Curry trained in drama at the University of Birmingham before sharpening his acting skills in theater. That traditional arts foundation never left Curry's characteristically British approach to the craft. Even at his filmography's most cinematic across film and TV, Curry retained an immediacy that recalled the high-risk potential of being on stage — as reflected in his Tony-nominated parts for "Amadeus," "Spamalot," and more.
It's impossible to talk about Curry without stressing the mammoth impact of " The Rocky Horror Picture Show " (1975). A genre-bending, queer fringe film phenomenon that immortalized Curry as a countercultural icon decades before his death, the beloved indie remains the longest-running midnight movie of all time. As the simultaneously menacing and strangely sympathetic Dr. Frank-N-Furter, Curry didn't just anchor the zany world created by writer and co-star Richard O'Brien. Instead, the movie's unexpected main attraction became indelible proof of its timelessly powerful thesis of acceptance.
Equal parts sexy and satire, "The Rocky Horror Picture Show" turned ritualized screening culture into an essential safe haven for theater-going weirdos that's stood its ground for more than half a century. It's well documented, but Curry's singular contribution to the texture and mood of the genre filmmaking landscape around "Rocky Horror" cannot be overstated. Other performers have tried to replicate his command of audacious, boundary-pushing comedy, but few (if any ) have succeeded.
After slowly changing the theatrical underworld as the king of midnight movies, Curry spent the rest of his acting career gleefully refusing to be pinned down. He was the embodiment of what happens when a classically trained performer with infinite talent decides typical taste is optional for his path through Hollywood, and any one Curry's films is arguably worth reevaluating in the wake of his death.
In Ridley Scott's "Legend" (1985), Curry disappeared under layers of prosthetics to deliver a demonic performance that's so committed it became the epic fantasy film's defining image. In the 1990 miniseries adaptation of Stephen King's "It," Curry used Pennywise the Dancing Clown as an avenue to redefine, intentionally or not, what serialized horror could even look like — doubling-down on the genre expertise in his earlier film adaptation of the boardgame "Clue."
The cherished cult classic from 1985 is an ideal showcase for Curry's impeccable physical humor and timing. As the ever-exasperated butler, Wadsworth, Curry guides the main characters and audience through an escalating experiment in choose-your-own absurdity that sees pure chaos choreographed. That palpable elasticity extended into Curry's voice work for animation, unearthing another layer of the late actor's otherworldly talent. Curry's turn in Disney's "Beauty and the Beast: The Enchanted Christmas" (1997) is an oddly vivid example that shouldn't be missed if you're even vaguely tempted to the possibility of this particular performer speaking for a villainous pipe organ named Maestro Forte.
Over the years, Curry was also the voice of Nigel on "The Wild Thornberrys," Emperor Palpatine in "Star Wars: The Clone Wars," and Hexxus in "FernGully: The Last Rainforest" (1992). Whether by Curry's charismatic nature or through a perfectionist drive to study, the late artist understood how to expand almost any creative assignment. Curry was the rare actor to recognize that genre films rely as much on their gutsy style as they do performers earnestly engaging with outrageous universes around them through a proportionately grounded sense of play.
He also appeared in "Home Alone 2: Lost in New York" (1992), "Muppet Treasure Island" (1996), and more. Curry never condescended to material, but consistently elevated scripts by taking them seriously. That paradox is at the heart of why Curry's work will always endure. It's also why so much of his filmography has found a second life in the cult film world of today. Sincerity and audacity are not opposing forces but complementary ones in this space, and for writers, retro programmers, and other film fans who came of age after midnight at the movies, Curry's impact persists as its own kind of religion.
In his later years, even as Curry's health declined following a major stroke in 2012, the actor remained a devoted presence in the ever-lasting orbit of "The Rocky Horror Picture Show" — up through its triumphant 50th anniversary....
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